Both Marsalis and Moran add on to the songs they are covering, expanding and exploring them. The word jazz did not achieve its present-day meaning until. These passions also dominate her novels. It works to provide the poem with a pattern of beats, one that influences the way the reader hears the sounds and the speed at which they read them. Arthur believed that the situation was ?\underline{? Written by Mary Lou Williams and recorded with Decca. This is remarkable when you consider that Monk wrote around ______ pieces. with addition of Jaco Pastorius 1976 Played theaters and dance halls. Heres a live version from the BBC. the opening passage of rhythm a ning features quizlet. G 4. Its so wrong, its right! A and c only All of the following general parameters of avant-garde jazz are correctly described EXCEPT: instrumentation: limited to rhythm section plus horns Later in his career, Gil Evans embraced jazz-rock fusion and recorded orchestral ", Modern jazz became popular on Central Avenue, the African American neighborhood in. 4 major contributions to early jazz: the big band genre could transcend hot vs sweet, solidified stride piano in jazz setting, popular song arrangements could be more innovative, refused to accept racial limitations or assumptions of jazz as "low" music. If you want to find out about a word's origins, or etymology, you can start by looking at its dictionary etymology, the part of a dictionary entry that explains the history of the word. Compare and contrast bebop and cool jazz. While one horn player was soloing, others might start playing a harmonized riff, and each had to find a note that wasn't already being played--extended chords. When the chord changes to G7 in measure 19, Monk shifts the F-sharp at the end of the riff to F natural, implying the yang scale. Add parentheses or a single parenthesis where necessary. He stretched out stylistically, recording with a Latin rhythm section and a string ensemble. Which of the following is an example of Charles Mingus's outspokenness? Dexter Gordon's first stylistic influence was_____ ; there he switched his allegiance to_____ . The duality of the yin and yang scales makes them especially useful for playing the rhythm changes bridge: two bars each of D7, G7, C7, and F7. Hard bop (1955-60): "Giant Steps" (1959) How did Duke Ellington change the sound of jazz in the big band era? He played the, The first instrument that you hear at the beginning of "Vendome" is, The combination of classical and jazz influences in "Vendome" suggest it should be classified as, The vibes player on this recording of "Vendome" is. Then, in measures six and seven, he plays the riff again, but he shifts it two beats later, so the accents fall differently. The soloist featured on this selection is, This arrangement makes a musical reference to Jelly Roll Morton by, This brief introductory passage features a, This excerpt from a longer recording is known as. Find three examples from the text that support your ideas. M-Base= Macro-Basic Array of Structured Extemporization _________ was the pianist and leader of the Modern Jazz Quartet. D. in a happy mood despite the clock's interruptions. Wrote for his specific musicians and gave them each a unique sound. The first theme 2. Quis autem velum iure reprehe nderit. Charles Mingus was the first composer of his generation to. Played nightly at the Cotton Club for several years- much of his music from that time sounds exotic: "East St Louis Toodle-Oo" - composition through motivic development, prolific bassist and composer who played with prominent swing and bop musicians Sparse, relaxed approach to piano with light, precise touch. Typically toured constantly, didn't record, and were under constant financial pressure. Give an example of third-stream music and describe how it merges aspects of classical music and jazz. She was also an excellent scat singer. The answers consist of vocabulary - used whole tone scales/ extended harmonies improvising with scales or modes over very few chords, At age nineteen, Miles Davis was hired to play with. 17 terms. John Lewis, Milt Jackson, Percy Heath and Kenny Clarke were part of a group known as: Milt Jackson played a rather unusual jazz instrument. Definition. How did Louis Armstrong change the sound of jazz in the 1920s? Identify and explain: Sherman Antitrust Act, Knights of Labor, Terence V. Powderly, Mary Harris Jones, Great Upheaval, Haymarket Riot, American Federation of Labor, Eugene V. Debs. Study with Quizlet and memorize flashcards containing terms like statements about Haydn's early career, Select all the features of the "free artists" of the romantic era., Listen to the audio clip. Plural: The monsters\underline{\text{monsters}}monsters of the deep are\underline{\text{are}}are made: Some of Bill Evans's most important trios, which was recorded at the Village Vanguard in 1961, was formed with the drummer Paul Motian and the bassist. Cymbals and tom-toms used. Listen to his comping behind Charlie Rouse's tenor sax solo; no one . Its not as difficult to play as it sounds. Modernism asserts that art develops from simplicity to complexity. He thought that the word "jazz" marginalized black musicians; he was "beyond category". Verified questions. Examples: "Copenhagen" (1924), "Down South Camp Meeting" (1934). Rhythm a Ningest une composition du pianiste et compositeur de jazz Thelonious Monk. d. cutting grass. Among the techniques that Wes Montgomery developed was(were), playing solo lines with his thumb and the use of octaves, This improvised solo in this excerpt from "A Night in Tunisia" begins with, The texture at the beginning of "Vendome" is, alternation between a fugue and a popular song, The extended solo improvisation without accompaniment in this excerpt from "Autumn Nocturne" is called, In his last passage in this excerpt from "Autumn Nocturne," the soloist makes striking use of. Time Out (1959) first jazz album to sell 1 million copies, "elevating the art of jazz" Click the card to flip . - fusion: Bitches Brew (1970)- controlled freedom, electronic effects on trumpet Jazz Styles. influenced by ring shout dances and brass bands During her improv scatting she quotes Wagner's "Wedding March" theme and Gershwin's "Rhapsody in Blue". Harmonies toward the tonic. As a clarinetist: excellent swing feel with regular phrasing, blues inflection and a fast vibrato. Bebop did not cause the first stylistic divide in jazz. Had confusing scores with no record left behind. Monks take on the ubiquitous I Got Rhythm chord progression has a lot in common with Straight, No Chaser. They both use the most generic materials possible to produce something that still sounds fresh seventy years after they were composed. They sometimes shared credit. Draw one line under each indirect object. -Stride piano, 32-bar pop song AABA. Singular: There is\underline{\text{is}}is a pleasure\underline{\text{pleasure}}pleasure in the pathless woods, -Big band swing, 24 bar pop song. Holiday uses repeated pitches on the first three notes, "A-sail-boat" for rhythmic affect to replace the corny ascending melody of the song. - late 60s: experimented with rock-oriented rhythms and electronic instruments - Kind of Blue (1959) set the standard for modal jazz All of the following are true of Jo Jones except. - heavily influenced by Ellington, Tatum and Parker and blues and gospel - contributed to Chicago jazz style Played with Moten until his death, then own band. Etymologies are easy to find because they appear within brackets ([ ]) or double brackets ([[]]) within a dictionary entry. Something about which it is usually important to be perceptive Hawkins version confirmed it as a jazz and pop standard. But this is only sedate by Monk standards. -Swing, 32 bar popular song (AABA). Peter and (them, they) are practicing skateboard tricks. he pioneered the piano-bass-guitar trio format. After Duke Ellington, who of the following is the most performed of all jazz composers? - irregular 9/8 metric grouping Had hard times later. He played a few of his piano variations on Ellington's "Sophisticated Lady." emilyriordan99. The first theme is in E minor. Jazz Chapter 13. he incorporated KC blues into the new bebop language, adding a new quality to bebop. (fathom), an abrupt, two-note ending to a melodic line, it was performed by small combos rather than big orchestras, To weed out inexperienced improvisers, jam sessions would often, a Harlem jam session spot where bebop was founded, Drummer Kenny Clarke shifted the pulse from the bass drum to the, Kenny Clarke derived his nickname, "Klook," from, his combined snare drum and bass drum hits, Bebop was known for the "flatted fifth," which was. Which of the following is true of the master take of Charlie Parker's "Ko-Ko" ? Wrote musical ideas in isolation and composed in collaboration with other musicians. no tonal center is implied by the changes. They play block chords in soli. How many twelve-bar blues phrases are heard in this excerpt? trading fours. third stream quartet: piano, alto sax, bass, drums artistic director of Jazz at Lincoln Center- he conducted dozens of jazz repertory concerts, interpreting composers from Ellington, Armstrong, Mingus, Gil Evans; recorded fanciful interpretations of Morton and Monk repertory limited to Tin Alley standards. She had a very limited vocal range, Singer known for her joyous, versatile voice: wide vocal range, dynamic contrast, timbre contrast. CHANGE OF THE ?GUARD? Had Twelve Clouds of Joy, a commonwealth band. Study with Quizlet and memorize flashcards containing terms like Later in his career, Gil Evans embraced jazz-rock fusion and recorded orchestra versions of music by, The application of George Russell's theories by artists such as Miles Davis and Herbie Hancock makes Russell the defacto father of, During the 1940s and the 1950s, Miles Davis made all of the following innovations except his and . Place a check beside each sentence that contains an adverb clause. Uses the New Orleans front line of trumpet, trombone, and clarinet sound differently, with muted brass and low-register clarinet. a new piece with the same chord progression as a preexisting tune Monks comping behind Charlie Rouse is even crazier. Kansas City swing. Contained all the attributes that he brought to jazz. In major but Opening riff has a flatted note from the minor mode, gave players soloing ideas which were used in the tune by Roy Eldridge and Chu Berry. Hot 5 and Hot 7 (1925-8): 65 tunes that redefined jazz: shift from collective to individual improv, from melodic paraphrase to harmonic improv, away from ragtime forms to blues and popular song form; "Heebie Jeebies" (1926), "Hotter than That" (1927), "West End Blues" (1928). - hotter style that evolved into hard bop Both are humanly engineered; both are conceptual and auditory, and these factors have been . M6 becomes _______________, The following sentences describe the life of the author Isabel Allende. - features: theme phrase, from James P. Johnson's A strain (see Chapter 5), recurring throughout; descending chromatic chords in B strain, from Johnson; harmonic cycles within the "C" and "D" strains; disappearing and then returning triple meter in "D" strain, - style: contemporary George Russell discovered the pianist________, introduced him to Miles Davis, and recruited him for his Jazz Workshop group. Rhythm: one of the first to refine jazz rhythms: swinging 8th notes, loose phrasing, syncopated accents. Which term best describes how Monk sounds on the piano? You have major and minor colliding, unresolved tritones that nevertheless sound at rest, and blue notes that are out of tune by Western standards. Blues stanzas and an abrupt ending. Miles Davis gained experience in a new way of improvising while working on what project in France? Cool jazz, in the context of jazz styles, has. The name "Rhythm-a-Ning" is probably a playful mispronunciation of "rhythm-ing", and that deliberate stumble sums up the tune's aesthetic. -Lester Young - form: 12 bar blues. EX: "The Pearls"- historicist, Jelly Roll Morton original, virtuosity in fusion and mainstream; ventured into mainstream jazz after success in fusion; Brecker Brothers; primarily tenor sax but also EWI, historicist avant-garde fusion; classically trained, heavily influenced by Monk and others; "You've Got to Be Modernistic" (2002), accomplished musician (piano) and mathematician, inspiration from Indian music; "Lude" (2012), contemporary singer and bassist; 2010 grammy best new artist; project by project- Chamber music Society, Radio Music Society, Emily's D+Evolution; "Short and Sweet". - "Birth of the Cool" In 1998, senator John Glenn participated in a Nasa mission. an abrupt two-note ending to a melodic line. Had aristocratic sophistication in public persona. Other: popularized scat singing, expanded repertoire beyond that of New Orleans jazz- incorporated Tin Pan Alley, blues, - pianist, composer, arranger (1st impt in jazz) Southwest blues piano style. In the beginning, the two horns play the same rhythm harmonized. his bebop-styled big bands Which Swing Era bassist does this describe: used substitute chords, solos are freely melodic rather than walking, played with speed and flexibility, attractive timbre, and spent most of his brief career (1939-1941) with the Ellington band? The musical genre that emerged on the East Coast and featured a heavier, impassioned timbre is known as. Apart from the end of the bridge, the notes dont conflict with the chords, exactly, but they dont necessarily imply them either. This pianist on Miles Davis's recording of "So What" helped to establish the tune's modal flavor: Some critics feel that compared to Dizzy Gillespie, Miles Davis had a shortcoming as a trumpet player in his, speed, virtuosity, and use of the upper range of the trumpet, Miles Davis's 1954 recordings with Horace Silver and Kenny Clarke helped to establish, Miles Davis was fond of altering his timbre with, The rhythm section of Miles Davis's 1950s quintet included, Among the orchestral albums Miles Davis created in collaboration with Gil Evans in the late 1950s were, Miles Davis's interest in modal jazz was sparked by, improvising for the score of a French film, Bill Evans was especially influential in his pioneering of. Making generalizations helps readers understand the main points and implications of a work. A. terrified that they or their loved ones will fall ill. B. committed to praying for the recovery of the ill. C. unaware that people are suffering outside the abbey. I Got Rhythm." The focus is on devices deployed by Corea to break free from the. How is bebop musically distinct from the big band style? Decide which form of the vocabulary word in parentheses best completes the sentence. - moved away from standard comping: fewer chord changes, metric displacement - "Birth of the Cool" On C7: Play the yin scale for an implied C9(b5 #5) sound. His aggressive approach to the instrument provided a propulsive lift. Some fans found it invigorating, whereas others considered it "musical nonsense", Within a year of recording A Love Supreme, John Coltrane shifted him musical direction toward, avant-garde, free music that reflected the turbulent times. - intellectual style based on thick texture of contrapuntal inner voices - EX: "Spirit Possession" w Max Roach, - influential post bop pianist Survey of Jazz Flashcards Midterm 2 Chapter 9, Survey of Jazz Flashcards Midterm 2 Chapter 12, Byron Almen, Dorothy Payne, Stefan Kostka. During the 1920's, critics attacked Louis Armstrong for playing popular songs. Really, all of them are the same scale. _____ Houses were built on raised platforms of varying height so that social distinctions could be observed. As you might know, "Rhythm-a-Ning" is Monk's best known "Rhythm Changes" composition - the chord progression of which is based on George Gershwin's 1930 32-bar, AABA standard "I Got Rhythm", from which countless tunes have been derived and recorded by countless artists of countless genres. Four. The opening passage of "Rhythm-a-ning" features. - his piano trio was a new approach- independence between instruments -Gil Evans radically transformed the work of other composers. How does the playing of the rhythm section change between the two choruses (00:33) The bass switches from an ostinato to a walking bass. Strong left-hand rhythmic foundation with percussive ostinatos (or "chains") in 4/4 time and right hand bluesy patterns, often in cross-rhythms. Circle each direct object. BEBOP riff-based charts In the late 1940s and the early 1950s, Miles Davis struggles with drug addiction, made successful appearances in Europe, and recorded the tracks that resulted in the album. After swing era: he fell out of favor until "reborn" at 1956 Newport Jazz Festival and Paul Gonsalves solo; composed several highly sophisticated suites based on classical compositions: The Nutcracker Suite, Peer Gynt (1960). Well get to that. Mingus consistently drew inspiration from the following Swing Era bandleader and composer: Mingus's small ensemble, a loosely organized group of musicians willing to perform his work, was known as the. Invented melodies that floated over the chords. The temperance movement was linked to the of alcohol. Among the pioneers of cool jazz are the following pianist/composers: This musician was a bebop soloist who became a leader of cool jazz: The _______ is commonly known as "The Birth of the Cool" band, deemphasize improvisation in favor of composition and use orchestral instruments such as the tuba and French horn, John Lewis left the Miles Davis Nonet and formed his own jazz ensemble, called. prolific composer/bandleader jazz quiz 10. emphasis on blues/simple arrangements of standard tunes. Do not be misled when words intervene between the subject and the verb or when the subject comes after the verb.
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